Humanity has come a long way since we first learned to record sounds on wax tubes that could be played back on phonographs. There’s a certain novelty to setting up one of these ancient music players and hearing what audio enthusiasts listened to in the late 1800s. However, it’s nothing compared to the advances we’ve made in the last few decades — or the ones ton the horizon. What are some of the most exciting acoustic engineering advances of the last decade, and what does the future of acoustical engineering look like?
Acoustical engineering is the branch of engineering dealing with with sound and vibration. However, it breaks down further into a variety of subdisciplines that better describe the kind of work that these engineers do. Some of the most common subdisciplines of acoustical engineering include:
There is so much more to acoustical engineering than meets the eye. Moreover, the industry has changed dramatically over the last decade.
What are some of the most exciting innovations in acoustical engineering in the last decade?
We’ve seen inflatable concert halls appear in the strangest locations. They give sound engineers the perfect canvas to create the ideal stage for musical acts. Once the building gets inflated and is ready to go, sound engineers can manipulate the interior acoustics like they would any other building.
3D impulse response management allows acoustic engineers to create a 3D visualization of the acoustics of a room, using a set of microphones. This makes it easier to spot problem areas that might be difficult to pinpoint with the human ear. It also eliminates potential disputes if sound engineers can’t agree on the root of problems.
On the opposite side of this, 3D sound technology enables sound engineers and musicians to create a truly immersive experience. They do this by recording in the center of a sphere of 64 microphones. This recording technology has value for architectural acoustics. Applications for gaming or even clinical uses may also exist.
Bringing augmented or virtual reality to the party adds the practice of acoustic holography. It enables engineers to create a picture of sound patterns in real-time. This could help engineers concerned with noise pollution and those trying to create the perfect acoustics for a musical performance or play.
It’s exciting to look at how far the industry of acoustical engineering has come. But, it’s even more thrilling to imagine what the future might hold. What are acoustical engineers working to achieve?
Acoustic metamaterials are a bit of an unknown quantity. They work to completely absorb sound, creating something of an acoustic black hole. People may use them to modify the acoustics of a particularly problematic space. Acoustic metamaterials might even soundproof rooms or buildings more effectively than other options.
These materials have a unique niche in ensuring privacy. They absorb sound so effectively that someone in a metamaterial shielded space could have a conversation on speakerphone or listen to music without headphones without disturbing the person next to them. Acoustic metamaterials could also be invaluable tool for construction sites or areas of high noise pollution. Construction in densely populated areas pose challenges because because noise ordinances limit workable hours.
Gestural control is another tool just beginning to emerge in acoustical engineering. It doesn’t yet mimic the display we’ve seen in science fiction. However, it doesn’t take much to set up a gestural control system with existing technology. Imagine a conductor directing the orchestra, controlling volume, acoustics and every other aspect of the performance. They could do that with nothing more than a wave of their hand.
3D and spherical audio have also shaken up the industry. They create immersive audio experiences to change how people experience music, movies, and other forms of audio engineering. Industry experts want to make immersive experiences with nothing more than a pair of over-the-ear headphones. These experts predict that by 2030, immersive 3D audio will be in every off-the-shelf audio device. Then, by 2040, these devices will surpass the best expensive equipment for audiophiles today. People should also expect more 3D audio recordings in future movies and music.
Recording music in the massive studios used today will also become a thing of the past. As the transition from analog to digital is going to eliminate the need for mixing consoles and hardware that is considered normal today. In a way, it’s not unlike how spacecraft have evolved. The Apollo capsules and even the Space Shuttle were filled with switches and buttons — and accompanied by a massive instruction manual that the astronauts had to study and memorize to complete their missions. Today, the SpaceX Crew Dragon spacecraft basically flies itself, with controls on a touchscreen and those massive instruction manuals shrunk down to an iPad that gets strapped to the astronaut’s thigh.
Acoustical engineering might be a new term to many, but this brand of engineering is one that most people probably encounter on a daily basis. The future of acoustical engineering is looking bright, and within the next couple of decades, we’ll likely see a lot of changes that make it easier to immerse ourselves in the perfect audio experience.
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